JotBlog

NPR's All Things Considered: A Brother's Betrayal

A Brother's Betrayal New Book Reveals Startling Admission by Key Witness in Spy Trial  Listen to Robert Siegel's report. Ethel Greenglass Rosenberg and her brother David Greenglass, in a photo taken either during or immediately after the end of World War II. Photo: Random House Oct. 9, 2001 -- It remains perhaps the most notorious espionage case in U.S. history: More than 48 years ago, convicted spies Julius and Ethel Rosenberg were executed for passing atomic bomb secrets to the Soviet Union.

Emma Willis has launched a size inclusive clothing range with Next

Emma Willis at the launch of her Next clothing range. Picture: PA The Big Brother presenter has teamed up with the high street store to launch a range that has 'broad appear for both age and size'. Emma Willis has turned designer since Big Brother ended and has teamed up with high street favourite Next to create a size inclusive clothing range. The mother of three has collaborated with the company in the past but this is the first time she's actually designed a collection and it will be a first for the high street shop.

PDF

Download PDFncG1vNJzZmickaJ7tbnZZ5qopV%2BZvKTBzJ6lrWdlZnywe5FpaHFnYWd8c4GObmhuamhpgnmDk3JsbmtjZYWmhZNrmJ%2BdZJeDeH7DbJpnqJSb

The Prom Isnt the Gift to Queer Teens It Thinks It Is

The Netflix version is a straight person’s imagining of a gay love story for a straight audience … made by a gay person? Make it make sense. There’s a song in the credits of The Prom that made me wince, and it’s not (only) the one where Meryl Streep raps, “If somebody starts in with new drama, just go high like Michelle Obama.” It’s the song that plays after that one, a narrative ballad sung by James Corden entitled “Simply Love.

The Radical Power Reversal of Nadjas What We Do in the Shadows Costumes

Starting in season three, “there was freedom to go bigger” with Nadja’s What We Do in the Shadows costumes, said designer Laura Montgomery. When Laura Montgomery joined What We Do in the Shadows as assistant costume designer in season one, the visual identity of the show’s sole leading lady was closely tied to her husband. “Jemaine [Clements]’s big thing with Laszlo and Nadja was that he always wanted them to match,” Montgomery told me in an interview over Zoom.